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Wherever Mā-mĭn´ went her mother or some woman of the family went with her, so Red Robe could never speak to her, but he was often near by. One day, when she was gathering wood for the lodge, and her companion was out of sight behind some willow bushes some distance away, Red Robe had a chance to tell Mā-mĭn´ what was in his heart. He walked up to her and took her hands in his, and she did not try to draw them away. He said to her, "I love you; I cannot remember a time when I saw you that my heart did not beat faster. I am poor, very poor, and it is useless to ask your father to let me marry you, for he will not consent; but there is another way, and if you love me, you will do what I ask. Let us go from here—far away. We will find some tribe that will be kind to us, and even if we fail in that we can live in some way. Now, if you love me, and I hope you do, you will come.",

"Yes, father," said Morning Star, "a young man has come to see you. He is a good young man, for he found some of my things in the trail and did not touch them.",

"And when she sees you all will be well," he says, still clinging bravely to his faith in this panacea for all evils. "Everything rests with you.',

"I—will—not," says Mona, brokenly.

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The antelope felt so glad and proud that he had beaten the deer in the race that he was sure that wherever they might run he could beat him, so he said, "All right, I will run you a race in the timber. I have beaten you out here on the flat and I can beat you there." On this race they bet their dew-claws.,

Scarface was very unhappy. He did not know what to do. He sat down and covered his face with his robe, and tried to think. At length he stood up and went to an old woman who had been kind to him, and said to her, "Pity me. I am very poor. I am going away, on a long journey. Make me some moccasins.",

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

But I blame the people you have fallen among,—not you."